The Sword in The Egg Stone

    This story began in July '22 when I heard that there were Dragon Eggs on Glastonbury Tor - straight out the gate, I knew they'd be of significant interest - I was down the rabbit hole .. 🐰

Also called a Tor Burr, the locals often refer to them as Egg Stones. There is one, known as "The Omphalos Stone", that rests at Glastonbury Abbey after being removed from the Tor -

Glastonbury Abbey's Omphalos Stone

I was told there was one on the south facing slope so went looking. At The Red Spring, Mercury/Paul told me that he'd heard of one Egg Stone being up the Tor somewhere though wasn't sure where. Fortunately, the red haired guy, Andy, who knew the Tor like the back of his hand was 5 yards in front of me. He immediately directed me to the "crater" on the Tor where there is one large Egg Stone: resting behind three Hawthorns on the south face, about 2/3 up ~

Glastonbury Tor Egg Stone on the south face.

These Tor Burrs, or Spherule Concretions as they're called in Electric Universe Geology, can be identically reproduced in a lab with various mineral powders and cocktails - iron oxide, calcium carbonate etc and an arc blast to mimic lightning. Depending on the arc strike power and the mineral cocktail, these spherules can be of varying sizes, shapes and colours and whether or not they're hollow. Equatorial bulges (squashed sphere) and polar markings are also common. Interesting that the Egg Stone at The Abbey is called Omphalos as this means navel and may be pointing to these polar markings.

You can see the Tor Egg Stone's equatorial bulge as described in this scientific paper on spherule concretions- **Electrical spherule concretion formation pdf** -Introduction: The Rapid Electrical Formation of Stone Spherules, the Scalability of the Results, and the Similarities of the Internal and External Structures of the Spheres with Naturally Occurring Concretions - http://www.naturalphilosophy.org/.../abstracts_6778.pdf

The proposition is therefore that the Egg Stones are formed instantaneously via electrical arcing. The larger the Egg Stone the more powerful the arc blast. There are Spherule Concretions/Egg Stones on the Tor ranging from 1 cm to 1 metre wide. As stated in the previous linked pdf - "electrical phenomena are scalable by degrees of magnitude".

Martian "Blueberries" - spherules on Mars recreated in the lab - https://www.thunderbolts.info/tpod/2005/arch05/050325blueberries.htm

Martian Blueberry formation - https://www.thunderbolts.info/wp/2018/12/12/blueberry-formation/

Many countries have their own name for this type of stone and rock formation - for instance, you have the New Zealand Moeraki Boulders and also the Native American Thunderbird Eggs. As one version of the Myth goes - The Thunderbird claps it's wings (Thunder/Thor's Hammer) and lightning bolts issue forth and turned those animals above ground into stone. Similar to the Medusa battle in The Clash of the Titans (Planets) whereby if you look in to Medusa's eyes (by being above ground), viewing flaming Venus in her terrible aspect., you are turned to stone/instantaneously fossilised by the lightning shooting out of Medusa's eyes.

Native American First Nation Thunderbird Egg - similar to the Tor Egg Stones: "The Kettles or 'concretions' that distinguish Kettle and Stony Point are of cultural and spiritual significance to the Anishinaabe. According to storytellers, who are also the oral historians of the First Nation, the Kettles are Thunderbird Eggs."

https://www.vanishingculturesphotography.com/p981696924/h6186EE67#h6186ee67

In Mythology, Medusa, or The Dragon (Thunderbird), is the Destructive Creatrix aspect of the Planet Venus - The White Queen in her "terrible aspect" as the prototypical Great Comet soaring across the sky. The original Witch's broom being her cometary tail with resultant interplanetary lightning bolts - The Cosmic Thunderbolt - Fire and Brimstone - The Titans are the Planets. As Medusa is interpreted as The Dragon, it is also right to call the Tor Burrs, Dragon Eggs. The Great Comet Venus in Mythology (playlist) - https://www.youtube.com/watch?v=zGnhdAEfEOE&list=PLI7veeGm8ljNqgRQ-HcNFiH_V_2tgcVU8

The Masculine equivalent of Medusa, or The Dragon, is Perseus or St. George whom are microcosmic expressions of the planet Mars - the Red King, the Hero King, Saviour or Macrocosmic Christ. Mars pinning the trajectory of Venus is thus represented by Perseus, or St. George, slaying her "terrible aspect" as the Warring Hag Comet Medusa, or the Dragon, so that she may rest in her stable orbit as Venus, the Goddess of Love. In the St. George legend, the hero kills the Dragon and rescues the beautiful Princess. This might be more accurately viewed as the Dragon and the Princess being two aspects of the same Goddess and that St. George actually "saves" the beautiful "Princess" from her self, or from her terrible aspect as the Warring Dragon. The Medusa battle scene in Clash of the Titans 1981. Perseus, as the Dragon Slayer, avoids being turned to stone by not looking directly in to Medusa's eyes - https://www.youtube.com/watch?v=8X7W-oPhY48

    Detailed in the The Babylonian Epic of Creation: The Enuma Elish, is a battle between the Sky God Marduk (Mars) and a Serpent Tiamat (Venus) scribed on to the fourth tablet. Comparative mythology finds numerous examples of cosmic interactions between Mars and Venus recorded on every continent.

Emily Balivet: The Alchemical Marriage between The Red King & White Queen.

From an Alchemical point of view, it's interesting to note that Mars and Venus, which represent the Red 🜂 masculine fire and the White 🜄 feminine cooling qualities, orbit either side of Earth's/Gaia's orbit ✡ Gaia being where the union of these opposites may take place in the form of The Alchemical Marriage.

Mars and Venus are like The Sun and The Moon though not as bright and therefore act as intermediaries. Mars is blood as iron to Gaia and Venus is bone as calcium/limestone. It should also be of note that the two largest planetary/solar bodies in our sky are, obviously, The Sun and The Moon (Yin/Yang) and the two closest planets to Earth/Gaia are Mars and Venus. Both The Sun and Mars represent the Red Masculine Fire principle, whilst The Moon and Venus represent the White Feminine Cooling principle.

The Red and White Springs of Avalon as Blood of Mars and Milk of Venus -

It has struck many as remarkable that the 2 springs would meet at the base of Glastonbury Tor. Is the formation purely chance or is the archetype of the Alchemical Marriage between the Red and White principles being expressed on a microcosmic level in nature? Picture is of The White Spring in the foreground and another Red Spring outlet in the background, both on Wellhouse Lane. You can see the iron on the wall across the road behind the Red Spring's flow. The Chalice Hill, viewed clearly from the Tor summit, is the well-spring for the Red Spring and the Tor, is the well-spring for the White Spring. Being a more constant flow, that's warmer and not affected by local rain fall, the Red Spring is considered an older and deeper source. It could be argued that the Tor looks like a hill on a hill, as if it came later, which might be so.

The Masculine Red Spring, rising and flowing through The Chalice Well gardens, stains everything it flows over with a reddish orange hue - iron oxide. It is warmer than it's feminine partner spring and rises from a deeper, older source and comes forth as Blood of Mars.

This picture shows The Chalice Well's wrought iron cover of the Vesica Pisces with Holy Sword or Spear through it. As Mars is The Hero King, it can be said that the Red Spring's iron content, that fills the Chalice Well, is representative of it containing the blood of the Macrocosmic Christ on Earth. Is The Well then to be comprehended in this instance as also symbolising The Holy Grail or The Chalice containing the Graal Blood of Christ?

The Well is apparently made of local Blue Lias Limestone. Obviously, it should be made of limestone, specifically. The Well's build is the Cyclopean Polygonal style of ancient Egypt, i.e. close fitting mortarless stone joints. This style is perfect for surviving earthquakes or, even, cataclysms. Having no mortar and potentially copper joining struts means that the electrical and magnetic charge continuity of the structure, and therefore it's overall healing potential, is greatly enhanced. When stones are placed together without mortar, they act as one stone.

It is known that the The Well was used for spiritual initiations, healing and likely other ceremonial uses.. Apparently, there is a larger underground secondary chamber next to the well of similar stone work. The well being situated where it is and constructed how it was, all goes toward supporting a sacred space with which to augment religious initiations and celebrations. A crossing of the veil where it is already thin and especially more so during astrological alignments and certain times of the year. The iron's charge can definitely be breathed in to the body.

Yew Tree's sword like needle leaves and red berry containing poisonous stone.

    Thorny plants and trees, like the Hawthorn, Yews and Blackberry bushes are governed by Mars. The magnificent Yew Trees that grow in The Chalice Well/Red Spring gardens, pulsating with the red sap of Mars, bearing red berries and swordlike needle leaves, have long been associated with The Red Spring, Death, Rebirth and Enlightenment.

In accord with the Celtic Tree Calendar, the Yew's time is December 21st - Winter Solstice at the end of the year. The shortest day when the dying of The Sun reaches it's zenith, to be reborn anew. The Chalice Well Gardens is home to other (For)evergreens, as well as the Yews. They can all be said to represent The Sun as it lives in a "Forever Day".

The Feminine White Spring is so high in calcium that it leaves a milky residue if left to evaporate. At 105mg of calcium per 100ml of water, it would be considered a very "hard" water (milk?). The people of Glastonbury never used to drink it and preferred to pipe water in. As such, neither The Red Blood Spring or The White Milk Spring are potable for drinking on a daily basis: a common feature of "Holy Wells and Springs". Great refreshment when visiting Glastonbury Tor and Avalon or taken solemnly as a Holy Sacrament. This just adds to the sense that it's trying to attract attention aside from water just for drinking.

The White Spring's Well-house built in the Victorian era is a dark watery womb like experience. Wherever you get limestone, you get caverns and caves. The caves, with surrounding vegetation that The White Spring water used to flow from were, apparently, covered in millions of rainbow sparkling shards of calcite crystals. It must have given an otherworldly sense to the grove that no doubt teemed with undines and water spirits. The water flows out from an underground aquifer (breast) as Milk of Venus. It's flow varies with the seasons, The Moon and rainfall on the Tor.

The Planet Venus, associated with The White Spring, governs the apple tree and so it is fitting that there is an apple orchard on The Tor - Avalon Orchard. Avalon also means Isle of Apples.

If you slice an apple horizontally, it reveals a pentacle cross section that is the same geometric pattern as the pentacle orbit of the planet Venus in relation to Earth over an 8 year cycle. We can literally see the orbit of Venus reflected in the apple.

The Orbit of Venus in relation to Earth over an 8 year cycle.

In accord with the Celtic Tree calendar, the Apple Tree's time is Mayday to Samhain - it was regarded as a symbol of abundance, a gift of love and was a symbol of healing, especially of the heart.

The idea that The Red Spring and The White Spring should flow together is symbolical of the union between the male and female principles or ida and pingala. When these 2 harmonise and join together, within the aspirant, there is union with the Divine. Heaven and Earth in Holy Communion. There is one prophesy scrying that when the water's of Avalon flow freely, no one shall want or need for anything.

Glastonbury Tor formation -

How was the Tor, that supplies The White Spring, formed from an Electric Universe perspective? My understanding is not as complete as it's progenitor so click on the links to get an understanding for your self. My interpretation of Andrew Hall's work is up for question but his realisations are not so much so, as far as I can tell ..

The Tor and it's terraces

The proposal is that the formation occurred during a global cataclysmic plasma storm and that the Tor is a Plasma Storm Sand Dune rapidly formed at the same time as the Egg Stones. If you take it that the Egg Stones are formed electrically and that these can be found underground and within the Tor's structure, it follows that the whole Tor was formed similarly and at the same time.

Refer to Andrew Hall's Electric Geology YouTube video for an overview of how Hills, Mountains and Tors are formed - https://youtu.be/Dz9c24XBU5o?si=HefGFfxo7DQ8ooeV 

Lambda Structure - Mountain formation within a turbulent shock wave showing tornadic instability (green spiral) formed in the expansion fan.

The terraces appear then to be sequential layering in the wake of a sonic shock blast lambda structure generating standing waves with changes in the harmonics and "ground slumping". This is the Thunder God of numerous myths including, of course, Thor's Hammer in Norse Mythology. This represents a sonic shock blast wave caused by a Cosmic Interplanetary Thunderbolt with resultant shock blast zones layering the landscape according to generated standing waves.. Electrically arcing plasma storms of sub-sonic and super-sonic power gather material held in these plasma winds (earth, sand etc) and form hills, mountains and tors. Sonic shock blasts create zones of compression and rarefaction and layer material accordingly. Plasma storms can occur in numerous ways.

If you've been up the Tor, you may have noticed beach sand right near the top, especially around the Egg Stone "Crater". The sandstone cap, formed by cymatic and electromagnetic compression, has plenty of sea fossils embedded within it which are often found on the summit of mountains. The Electric Universe paradigm also states that fossils are formed instantaneously during these plasma storms - Peter Mungo Jupp - Instant Fossilisation - https://www.youtube.com/watch?v=5vOMGQTjW9k

Egg Stone Crater - You'll note that 2/3 up the Tor bulges out to the right as you look at the photo. This side and distance up the Tor is where the main Egg Stone crater is situated and so had a significant impact on the Tor's formation and shape.

A view of the Egg Stone crater bulge from the other side. The 3 Hawthorns, beneath and to the right of St. Michael's Tower, are situated in the crater and next to the large Egg Stone that here rests on the Tor. The "crater" is an interesting formation in itself. My guess is that if you refer again to the above lambda structure image, you'll note that a tornadic whirlwind instability forms in the expansion bubble (green spiral).

Egg Stone "crater".

A tornadic whirlwind swirls a circular crater type hole of about 20 metres in diameter in to the side of the Tor whilst it's forming. This tornadic whirlwind instability proceeds to inject/ejaculate material (sand/earth) held in plasma winds and "pumps it like a fire hose" in to it's structure during formation. Occurring in a plasma storm, such a tornadic whirlwind would have been highly electrical and so capable of forming the Egg Stones and depositing them in to the Tor's structure, via the "crater", during this event. This is therefore what has caused the bulging on this side of the Tor.

This picture, with the Egg Stone Crater's Hawthorn trees in the top left and Druid Wood tree line in lower right, shows that the two terraces underlying the crater also belly outwards and, more so, directly beneath it.

The Egg Stones and Tor formation might be convincing indications that the Tor shows many signs of electrical arcing formation during a Cataclysmic Plasma Storm. This would be alongside lightning bolts at a level and scale up to Thor's Hammer or Cosmic Thunderbolts like that thrown by the right hand of Zeus, of epic proportions not experienced today.

The sonic shock zone phenomena, covering the Earth, was originally discovered not by geologists or scientists but by explosive experts viewing Google Maps in Satellite mode. Refer again to Andrew Hall's work who, in part, took the lead from these experts and made it in to a rock hard hypothesis. Electric Geology - https://www.youtube.com/watch?v=mPcF40vBqzs

The Cosmic Thunderbolt -⚡

Zeus (Jupiter) really did throw lightning bolts, the most well-known of Zeus' powers. To wield lightning is the epitome of supremacy. The image of Zeus, Lightning Bolt (Sword) raised in his right hand, creates a powerful impression of absolute control over gods and men. It was used as a mighty weapon that he wielded to win the war against the Titans (Planets/Stones). It was mainly by this weapon that The Thunder God (Thor in Norse Mythology) ultimately mastered the Universe. The right hand symbolises the male principle of method and skilful means.

The idea of the Cosmic Thunderbolt, or Vajra in Vedic texts, is a cross cultural mythological phenomenon. Every continent has it's own version and that leads you to wonder why and whether there is some factual basis behind these mythological allegories? It is present in the mythologies of the Norse, Slavic, Americas, Sumer and Native Australia, to name just a few. It's the same story the world over. The Vajra : An Ancient Weapon of War (scroll down on link) - https://www.ancient-origins.net/artifacts-ancient-technology/vajra-ancient-weapon-war-008467

Vajra - Thunderbolt ⚡ Destroys all kinds of ignorance and is itself indestructible. Symbolising the impenetrable, immovable, immutable, indivisible and indestructible state of Enlightenment. Vajra, or Dorje in Tibetan language - The hard or mighty one - "Lord of the Stones". The Interplanetary Cosmic Thunderbolt as the Macrocosmic Sword in the Planetary Egg Stone. As above so below being the Alchemical tome - from Interplanetary Cosmic Thunderbolt striking the Planetary Egg in the Macrocosmic Dark Womb of space of the Primordial Mother to the Spermatozoa penetrating the Ovum in the Womb of the Microcosmic Eve. Macrocosm to Microcosm - on all levels, where the Unstoppable Sword⚡meets the Immovable Stone 🥚 - creation appears.

The Cosmic Thunderbolt - https://www.youtube.com/watch?v=uwMDYNRZUKY&list=PLI7veeGm8ljPtUch5GxuTshvVJwCsMuVb

Excalibur & The Arthurian Legends -

King Arthur, Excalibur & The Red Spring - Ex is Latin for the preposition "Of" and Caliburn is Latin for "Steel" and so we have Ex - Caliburn / Of - Steel / Excalibur.

The Red Spring is also known as a Chalybeate Spring which denotes it's high iron content. Steel is 98% Iron. Ex-Calibur, being "Of-Steel", is therefore, symbolically speaking, "composed" almost entirely of Iron and so is representative of Mars as the Hero King or Saviour in the Macrocosmic sense and is connected to The Red Spring and Chalice Well Gardens. It is the Red Spring's Sword to The White Spring's Stone. In-deed, in The Chalice Well gardens, they have a wrought iron sword cutting through the Vesica Pisces above one of the garden's gates and, of course, the wrought Iron cover of the well itself is a Holy Spear or Lance bisecting the Vesica Pisces.

What Mars, Iron and Excalibur are to the Red Spring is as Venus, Calcium and The Egg Stones are to The White Spring.

Blood of Christ - Body of Christ - Drinking from Avalon's Red/Blood Spring is as drinking wine as The Blood of Christ as a Holy Sacrament. Drinking from Avalon's Calcite/White Spring is as eating bread as the Body of Christ as a Holy Sacrament - at 2%, calcium is the most abundant mineral in the body gifted and formed from the Mother's milk spring.

Red Spring White Spring

Sword Stone

Light Darkness

Spirit Body

Arthur Guinevere

Adam Eve

Mars Venus

Sun Moon

Blood Milk/Bone

Pingala Ida

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It has been said that all the legends of Avalon agree on one thing: that Excalibur was forged in Avalon. What is meant here by "forged"? That it was made by a master swordsmith? Throughout history, there are many male heroes that are associated with some kind of magical sword, spear, lance or similar but to name just a few there is Lugh's Spear of Irish mythology, The Spear of Destiny, Dyrnwyn Sword of Rhydderch Hael in Welsh legend and, of course, Excalibur. Is it symbolising the Awakened Spine? That pierces the veil? The blazing double edged sword of fire that cuts straight through to the truth? Could the Crown of Thorns be the opening of the Crown Chakra on the top of the head said to feel like a 1000 pins/thorns? Maybe it was Spiritual Enlightenment that King Arthur himself forged on the Isle of Avalon?

Refer to the "Symbology of The Cross" note posted at the end of the blog. As per Irish Mythology, Lugh is often portrayed as a Warrior, King, Master Craftsman and Saviour.

Only he of pure heart who has harmonised within, the masculine red fire and feminine white cooling principles, can pull the sword from the stone and pierce the veil (Perceval, perceive-all) with the Holy Lance (Lancelot), Spear or Sword and return as twice born, Man of Steel, King of Men. The marriage of King Arthur and Queen Guinevere, in the myths and legends, is symbolical of an alchemical union of opposites - The Alchemical Marriage - leading to union with the Divine as opposed to a marital union between two people.

Freeing the Sword from the Stone is akin to freeing the Spirit from the bondage of the Body and is therefore a sign of enlightenment. Of course, freeing the spirit from the body occurs at death, but, if we may accomplish this whilst we're still alive then we may die before we die so that we don't die when we die. From the Bible and quoted by Blake after his poem - "And did those feet in ancient time" - Book of Numbers 11:2 - "Would to God that all the Lords people were Prophets". Manly P Hall concluded similarly, regarding what the marriage of King Arthur and Queen Guinevere actually represents, in his book "Initiates of The Flame", which was read afterwards (available free on-line as pdf).

The Alchemical Marriage within the individual of Red and White, Sun and Moon, Mars and Venus, Male and Female, Heaven and Earth or Ida and Pingala leading to union with the Divine Realm.

I have read that King Arthur was a reincarnation of Melchior, the Head of the 3 wise men. Either or, is it of note that there was a Prophet Melkin around Glastonbury and Wales in the 5th-6th century? Other than the eloquently written "Prophecy of Melkin", I can find no other writings by this interesting character. It may constitute another reason why the name, King Arthur, has been difficult to nail down in an historical context. Black's Biblical Dictionary specifically states - "Melki/Melchi = King" and therefore ascribes this meaning to both Melchior and Melkin. Similar, no doubt, to Melchizedek the Priest King of the Old Testament and Dead Sea Scrolls.

What kind of divine visitor was King Arthur? A Prophet, often seen as a Hero King of men; a Priest King, i.e. he was actually an Enlightened King of Britain; a poet or bard or other? If he were a Prophet then you might expect to find teachings but they seem absent? A Priest King would certainly bring order to a land but then a Prophet could also. The legends certainly suggest a very formidable character who, in one way or another, brought harmony to the British Isles. Certainly, countries and lands will thrive where such a man lives and for a long time after. Some might say that this was the beginnings of Britain's global history and entrance on to the World Stage.

Jesus Christ and The Argonauts of The Round Table

It is no secret that many associate the zodiac with the round table. Supposedly, astrologically speaking, one is subject to the zodiac's cosmic influences until you're personal quest for Enlightenment, the Holy Grail, Christhood or Buddhahood is complete. At the point of alchemical union, when one has internally married their heaven and earth one is henceforth, being in harmony with them, no longer subject to these cosmic forces. This is specifically why "King Arthur" received The Round Table at his "Wedding" to "Queen Guinevere". Once, the "Sacred Union" within the aspirant, the marriage between The Red King and The White Queen is complete, he/she is now in harmony with the round table zodiac of cosmic forces that influence Earth/Gaia.

Last Supper

In the art-world, The Last Supper was, more often than not, painted as a round table. Supposedly, Merlin based King Arthur's "Round Table" on the "Grail Table" - the table that Joseph of Arimathea was said to have constructed in Glastonbury to commemorate the table of The Last Supper. The idea of the Round Table therefore originated from at least the time of Jesus, if not before, and prior to Joseph of Arimathea's Grail Table. If The Grail Table was even physical, it was likely inspired by the Glastonbury Zodiac and is meant to symbolically represent it. Davinci's "Last Supper" painted in a line, as opposed to a round table, may be the best way to depict the idea in a chapel but not for a painting, it seems. Davinci's "Last Supper" still holds a lot of the iconography and symbology of the Last Supper Table and Round Table. You have the Wine as the red/blood of Christ symbolising the Red King and Bread as the white/body of Christ symbolising the White Queen. The Holy Eucharist. The Red and White depicted on the "round table" of The Last Supper symbolising harmony and union with the zodiac/heaven. The "Last Supper" also signifying the final time the aspirant's soul must eat through a body to remain conscious.

48 is often the number of Argonauts and, also, the number of constellations recorded by Ptolemy at that time. The largest of which was the Argo Navis - the ship Jason and The Argonauts sailed on in their Quest for The Golden Fleece. Argonauts can also mean "Sailors in the Sky", according to one blogger and that was my thinking. Argo, meaning white, shining and swift (stars) and naut meaning sailor. The Golden Fleece also signifies it being at the time of Aries as opposed to the current time of Pisces moving in to Aquarius - hence why the Ram is associated with Jason and the Fish with Jesus. The Disciples would then also, with Jesus, signify the complete Round Table of cosmic forces that the Christ was one with following the Last Supper. 12 tribes of Israel, 12 thrones, 12 Disciples, the 12 signs of the Zodiac which Joseph of Arimathea was apparently deeply interested.

So, if the Knights, Argonauts and Disciples represent the Stars, does that imply there was just one divine man, each time, representing these cosmic forces on Earth? The last supper table might be seen as being similar to King Arthur receiving the "Round Table" at his wedding to Queen Guinevere or, more accurately, when he alchemically married his internal masculine (yang) with his internal feminine (yin).

The Golden Fleece, Holy Grail and Chalice Cup are the salves that heal all ills. With the heart and mind in harmony no illness can take hold.

Nimue: The Lady of The Lake -

No doubt, the Celts of Roman Britain, prior to the time of "King Arthur", had access to the Iliad and so to the Greek Myths, including, Jason and the Argonauts.

The Lady of The Lake by Natasailincic (Deviantart)

King Arthur and The Knights of the Round Table and their Quest for the Holy Grail aided by Nimue, The Lady of The Lake, is strikingly similar to Jason and the Argonauts and their Quest for the Golden Fleece aided, in that instance, by the Enchantress Medea. Nimue and Medea both assisting the heroes of their respective legends with various potions and magical gifts with which to successfully carry out the tasks necessary to complete their quests. You might even go so far as to suggest that it is also similar to Jesus' and the 12 Disciples Quest for The Crown of Mars (thorns) aided by Mary Magdalene. All 3 being an internal alchemical marriage of opposites leading to union with the divine, veiled in allegory. The Holy Grail, Golden Fleece and The Crown of Mars all being the conquering of death and therefore representing the eternal in man as immortality or enlightenment. Is a woman representing the Divine Feminine necessary for such an event? Maybe this is why Mary Magdalene was the first to see the Christ post resurrection/enlightenment?

The scope of the Divine Feminine reaches deep into the landscape of Avalon - as the Tor, writhing and swirling with the sky, winds, mists and waters to birth new cosmic blueprints flowing in from the round table zodiac, in to the surrounding landscape and ley lines. If you've visited Avalon, you'll know the Divine Feminine holds a particular sway here - one that seeks to reach and nurture all of Britain.

Joseph of Arimathea, the boy Jesus and Glastonbury's Holy Thorn on Wearyall Hill

Most have heard the classic poem by William Blake -

And did those feet in ancient time,

Walk upon England's mountains green:

And was the holy Lamb of God,

On England's pleasant pastures seen!

And did the Countenance Divine,

Shine forth upon our clouded hills?

And was Jerusalem builded here,

Among these dark Satanic Mills?

Bring me my Bow of burning gold:

Bring me my Arrows of desire:

Bring me my Spear: O clouds unfold:

Bring me my Chariot of fire!

I will not cease from Mental Fight,

Nor shall my Sword sleep in my hand:

Till we have built Jerusalem,

In England's green & pleasant Land.

As the legend goes, Joseph of Arimathea did come to England with the boy Jesus and, specifically, Glastonbury, where they landed at the foot of Wearyall Hill. This is apparently how it got it's name as they had travelled a great distance and were "all weary". It is said that upon arrival, Joseph of Arimathea thrust the Hawthorn Staff, that supposedly belonged to Jesus, into the ground at Wearyall Hill and that by morning it had planted itself and blossomed. This came to be known as Glastonbury's Holy Thorn which flowered twice a year including Christmas.

Is it also symbolical of Joseph of Arimathea exclaiming the arrival of the Christ in Avalon by way of the fact that Mars, as the Macrocosmic Christ, governs Hawthorn Trees? I've heard The Crown of Thorns being attributed to a few different trees, Hawthorn being one of them. As an actual material event, of the staff becoming a tree, I would never discount it but symbolically, at very least, it fits like a glove. This species of Hawthorn is from the East: Joseph of Arimathea is often depicted carrying a living Holy Thorn.

Was Joseph of Arimathea to Jesus what Merlin was to King Arthur, Guide and Protector for the one of pure heart? Perhaps, a Mystery School, like Camelot or the Essenes, and a guide protector with some degree of the magicians wand, always arrives before the divine incarnation, to prepare the way.

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The Emerald Tablet of Hermes states: Combine the Heavenly with the Earthly in harmony and the World and everything in it will be yours. Celestial Alchemy - when Heaven meets Earth, beings appear. It is said that Mother Nature can create up to the highest animal. For humans to appear, heaven is required to facilitate this. Is also then the famed Glastonbury Star/Zodiac Map, inscribed into it's landscape by man and nature, yet another human/divine effort to bring Heaven to Earth in order to facilitate nature and life as we know it?

The Isle of Avalon is an enchanted realm of spiritual quickenings for the 1 and the collective. Magic happens here. If you're susceptible to synchronicities, they'll multiply. It can be easier to connect with the land and nature. The Avalon Mystique is palpable, dynamic and alive ~

Native American Thunderbird

Thunderbird Totem Pole

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Visiting the Tor in June '23, at the base, I asked for a Dragon Egg. Directed off my usual beaten track, I saw this tennis ball sized Egg Stone sitting on the top of a Badger pile. I had picked up a Badger in the previous month, as roadkill, and placed him on the verge, so it also felt like a thank you.

Glastonbury Tor Egg Stone

The Dragon Egg is very weighty and feels like an iron ball though it is mostly sandstone.

What came about around the writing of this blog, is a book in itself. It included many animal encounters beginning with wild rabbits and "The Rabbit Tree" on Watchwell Drove, a few hundred yards from the Tor, and ending with The White Rabbit on the Tor.

There are 3 Hawthorns that grow next to the large Egg Stone that sits on The Tor - "Guardians" of the "Gate to The Underworld" said to exist at this point. So, we have Mars, as the Hawthorns and Venus, as The Egg Stone, together again - a marriage made in the Heavens - The Holy Thorn in The Egg Stone; The Spermatozoa in the Ovum; The Iron Red Spring Water in the Limestone Well and on and on ..

Further thoughts -

The Purple Dawn

Some additional insights and thoughts worthy of sharing as they may give the beginnings of general context: If Mars is Blood to Gaia and Venus is Bone then Saturn is it's Water. The Clash of the Titans, Hindu Mahabharata and other similar myths around the world tell of a time when Saturn, as a Brown Dwarf, was our original Sun or "Best Sun". Refer again to "Symbols of an Alien Sky" posted at the end of the blog. Even conventional cosmologists suggest that the plasma sheaf of red/purple light (best light for growth) of a Brown Dwarf would be a potential habitable zone for life. In the Electric Universe, this is known as a pre-Earth time of "The Purple Dawn" of creation - Atlantis, preceded by Lemuria. That you cannot see outside a plasma sheaf or inside one and that it emits equal light and heat on all sides, at all times, as a dim dawn like glow. This is why you have the giant fungi and flora fossils in polar regions.

When Saturn neared our present system with at least Earth, Mars and Venus in it's orbit, the system began to slowly and then violently break up - Clash of the Titans/Hindu Mahabharata. Saturn discharges to become a Gas Giant instead of a Brown Dwarf, giving way to the Sun of a higher electrical potential.

Before breaking up, Saturn's plasma sheaf was highly electrical: this being

facilitated by a vaporous dew-like "fire mist" that increases electrical conduction. When Saturn discharged, the water in this plasma sheaf withdrew to be Saturn's rings as ice: recently found to be similar to Earth's water and also fell to Earth as "The Flood". This is why Noah, in the Bible, saw the first rainbow after the flood. You would never sea a rainbow in a plasma sheaf. The Bible and many other legends are, in many ways, correct in stating that the world is only 6-12000 years old. But that they sometimes omit the fact that this was a new age following a Golden Age at the end of Atlantis, a watery-womb and mist like time of The Purple Dawn. Avalon, with it's waters and mists, appears in some ways to be a remnant of that age.

Earth's "Purple Dawn of Creation"

The Elohim, advanced spiritual beings, were called upon to create human forms for monads to occupy on Earth. They inhabited these bodies to perfect these human forms. A Golden Age was brought about where sacred science was applied to the Earth to bring Heaven to it's surface via celestial alchemy to enable agriculture and life as we know it.

Upon completion of their task, the Gods left these bodies (a ray of themself and not their whole) which were then subsequently taken by ourselves as spiritually evolving monads at various levels of advancement. Passing through the lessons of wisdom learning that, unfortunately or fortunately, must be preceded by ignorance to be complete. In the Bible, there is the scattering and dividing of man to the four corners and the losing of the one language. Enforced ignorance and division with the hiding and secreting of divine intelligence so that we, through our own efforts and choices, come to know the dangers of any type of division and come to unity of our own accord. For something new to come into being, something must first end.

Other legends speak of salt water falling as rain to Earth so this idea has a comparative mythology backing. Myth is fact.

Plasma storms occur following the interactions of a number of different cosmic and planetary forces, be that a massive solar flare; a cosmic inter-planetary thunderbolt or intercontinental thunderbolt (potentially occurring via a solar flare), to name a few. Andy Hall, the Electric Geologist, feels that the main mountain regions were formed during the primary break up of the Saturnian configuration that had, at least, Mars, Venus and Earth in it's orbit. All of which still share the same angle of axial tilt!

The Purple Dawn https://www.youtube.com/watch?v=30VtxAwbI4A&t=443s

https://www.youtube.com/watch?v=bxUe_4QJnZM

Andrew Hall- Electricity in Ancient Egypt https://www.youtube.com/watch?v=i4jWPfNJ0rM

The Symbology of the Cross

Symbolically, the Cross, which has similarities with the Sword, has long been interpreted as the crossing out - of the I (Self). You scribe the I from the head to the heart and then cross it out from left to right so that the head/ego does not govern the heart. Krishna, Bacchus and Osiris, Prophet Kings of antiquity were, as surely as others, also depicted on the cross. Strictly speaking, Osiris was depicted on the Ankh but the idea is similar. Picture shows Bacchus in a similar pose to Jesus, Krishna and Osiris. Religious art did not begin to depict Jesus on the cross till many centuries later, whereby he was "nailed" through the palms as opposed to the wrists, which was the way in actual crucifixion. One might conclude that it was indicating the opening of the palm centres and so, the healing hands. Actual crucifixion was also carried out on a "T" shaped "cross" and the 4th initiation (Christ/Buddhahood) is also known, symbolically not literally, as the crucifixion.

The Crown of Thorns is the opening of the crown chakra on the top of the head and the Spear of Destiny, similar to "Lugh's Spear", represents the awakened spine that pierces the veil. You can see similar in the Rosicrucian emblem of the rose in the centre of a cross - when the cross of the body is no longer needed/Last Supper, the Rose blooms.

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Thanks for taking a look, I hope you found reading it nearly as interesting as the journey in writing it. Share away ~

Jason 🙏 at the Tor Egg Stone.

"This Christmas 2023" was the 60th anniversary of Disney's The Sword in The Stone.

I would refer anyone to "Symbols of an Alien Sky" and "Thunderbolts of The Gods" by the Thunderbolts Project on YouTube. Both are very well made and informative documentaries on the Electric Universe paradigm.

Symbols of an Alien Sky | Mythology (Well liked watch!): https://www.youtube.com/watch?v=t7EAlTcZFwY

Thunderbolts of the Gods | Official Movie/Science: https://youtu.be/5AUA7XS0TvA?si=CdLIiycNoT2lqfhr

Dedicated to cousin Mandy 💙